Isle of Klezbos

Isle of Klezbos: Live From Brooklyn

Live from Brooklyn

A robustly recorded romp that perfectly captures the sumptuous sound of the ensemble. — HEEB Magazine

A Brilliant, Intense, Eclectic Live Album by Isle of Klezbos New York Music Daily
Strange as this is to say in New York in 2014, in some circles, just the idea of an all-female klezmer band is still pretty radical. Put allusions to women loving women in the band name and the picture grows more interesting. Add to that the intoxicating mix of a hundred years worth of classic and original klezmer, latin, jazz and film music that this shapeshifting, jam-oriented band plays, and you have one of New York’s most exciting groups in any style. Isle of Klezbos have an exhilarating new album, Live from Brooklyn, recorded mostly in concert at Brooklyn College last year…

Reduced to most basic terms, this is minor key party music at its most deliriously fun and virtuosic. The concert opens with a brief, blistering take of the 1932 Yiddish film theme Uncle Moses’ Wedding Dance, Debra Kreisberg’s whirling clarinet against Pam Fleming’s more resonant trumpet in counterpoint to a surprise ending. By the time the song’s over, it’s obvious that the all-female shtick is just that: the women in this band are world-class players. They get plaintive and haunting on the hundred-year-old diptych that follows, singer Melissa Fogarty’s voice soaring through the first section with a wounded vibrato before the band hits a dancing drive on the second, drummer Eve Sicular’s vaudevillian accents and offbeats livening the groove in tandem with Saskia Lane’s terse bass pulse while Fleming and Kreisberg revel in wickedly tight harmonies.

Fleming delivers a long, richly suspenseful Miles Davis-esque solo against Sicular’s ominously boomy pulse on the Middle Eastern-flavored Revery in Hijaz, Nagai’s hard-hitting piano crescendo handing off to stately, lushly intertwined trumpet and clarinet as it winds out. The trumpeter – who famously served as a third of reggae legend Burning Spear’s all-female Burning Brass – also contributes the reggae-klezmer tune Mellow Manna, a showcase for deviously spot-on Rasta riffage and riddims from the whole band, notably Sicular.

Songwise, the drummer contributes her first-ever original composition, East Hapsburg Waltz, a cinematic mini-epic that shifts from a wistful sway to more dramatically orchestrated permutations, through ominous chromatic vamping, more vivid neoromantic piano from Nagai and a big crescendo that Fleming finally takes over the edge before they bring it back down again. The audience agrees that it’s a showstopper.
New York Music Daily, March 21, 2014

HEY HO, KLEZ GO! — Jason Silverstein, NY Daily News
Isle of Klezbos, where six sexy women give a creative kick to classic klezmer music. The group will get your tuchis moving Sunday night with a concert at Joe’s Pub at the Public. The set is a musical mazel tov to the Tuesday release of the album Live From Brooklyn.

Klezmer came from Eastern European Jews in the late 19th-century. But since 1998, the Klezbos ladies have made Yiddish hits hip again, by fusing the old-timey sound with jazz, reggae and swing. This helped the band bring klezmer to unlikely local venues like the Knitting Factory and City Winery.

“Klezmer is truly a community kind of music, meant for dancing and celebrating,” says bandleader and drummer Eve Sicular. “We want it to have a more open identity.”

The “Live From Brooklyn” album captures a concert from last year at the Brooklyn Center for the Performing Arts, along with two new studio cuts.
NY Daily News, Friday, April 4, 2014

If You Like Klezmer Music, You’ll Love Isle of Klezbos! — Steve Weinstein, Edge New York
The night I saw them perform at Joe’s Pub, the group’s press rep told me that Isle of Klezbos was more than a clever pun on klezmer, the music popular at weddings and other celebrations where Jews of Eastern European heritage gather.

The six women who make up this very modern take on a very traditional genre might be “mostly Jewish,” but they all have the spirit of the ages in their souls. As for being “mostly lesbian,” who cares? They’re great — and this from someone who can’t stand klezmer music. Usually dominated by the swoops and whoops of a honking clarinet, considering its roots, klezmer has a surprising similarity to jazz.

At Joe’s Pub, the music reflected the audience, which was a healthy mix of old-timers and hipsters. There were some more or less straightforward numbers, but then came the witty take-offs in which klezmer informed styles as varied as the blues, Latin rhythm (tango) and even a waltz. The overall vibe was one of a Downtown jazz club inside of Sammy Romanian, the Lower East Side restaurant that is to cholesterol what Le Bernardin is to haute cuisine fish.

If this sounds a bit esoteric, it was actually good fun and a terrific night of music. I’m not sure pure klezmer won’t continue to make me climb the walls, but as long as Isle of Klezbos is in the driver’s seat, it goes down as easily as anything by Ornette Coleman or Dave Brubeck.

The hook for this group may be that they are all women — about as anti-traditional as you can get. But that quickly became irrelevant. These ladies are damned good musicians, period.
Edge New York, April 11, 2014

Isle of Klezbos: Pam and Debra at 92YTribeca show

Concert reviews

Rapturous and rollicking, Isle of Klezbos rolls into town
Infused with intersecting interests and individual tastes as compelling as the genre that’s been their calling card for two decades, the all-women’s sextet, Isle of Klezbos, is the kugel of klezmer — an appetizing casserole of traditional Ashkenazic Jewish influences, queer perspectives and exceptional musicianship.
— Scott Stiffler, L.A. Blade (read the article)

When It Comes to Gay Rights and Klezmer, the Musical Is Also Political
by Eileen Reynolds

… Isle of Klezbos is a no-nonsense group. These are musicians with both the creativity to come up with fresh, jazz-inflected arrangements and the chops to play the snot out of them. Listening to the nimble clarinetist and saxophonist Debra Kreisberg breeze through the breakneck melodies of familiar tunes like “Di Goldene Khasene,” for example, one realizes — perhaps for the first time — that the shrill high notes in klezmer needn’t be out of tune. (A certain amount of playful pitch-bending is a stylistic choice, but those top notes shouldn’t hurt our ears.)

At 92YTribeca, Kreisberg and Pam Fleming blended the sounds of clarinet and trumpet together so well that the tricky unison passages in the “Uncle Moses Wedding Dance” sounded as though they were being played by some fabulous hybrid instrument. Fleming, whose tender and controlled trumpet playing could make you forget how obstreperous that instrument can be, also played a very sexy jazz flugelhorn solo in “Abi Gezunt.” Later she unveiled “Mellow Manna,” an original reggae-klezmer composition with a complex bouncing bass line that let Juilliard-trained bassist Saskia Lane show off her impeccable technique…
— The Forward Newspaper: The Arty Semite (read full article)

Isle of Klezbos’ Vox Hebraica kick-off concert
The Actors’ Temple opens its new musical series, “Vox Hebraica,” on Friday. Acclaimed neo-klez acts Metropolitan Klezmer and Isle of Klezbos perform together in the kickoff event of a year that will explore various facets of Jewish culture — fitting, since the two groups are known for taking the traditional genre of klezmer and turning it on its head.
— The Jewish Week

Isle of Klezbos at Le Petit Versailles

The Isle of Klezbos at Le Petit Versailles
The best little concert of the summer… soulful artistry of the fun and irreverent sextet, The Isle of Klezbos, who play imaginative versions of eclectic European-rooted Jewish folk music, Yiddish swing and tango, and a growing repertoire of moving originals… A multi-generational audience ranging from infants to senior citizens and everyone in-between… was delighted with the entertaining stagewomanship of bandleader-drummer Eve Sicular and treated to numerous beautiful solos and complex harmony work by saxophonist-clarinetist Debra Kreisberg, trumpeter Pam Fleming, and versatile vocalist, Melissa Fogarty.

Juliet Macey
Isle of Klezbos matches musicianship with strong senses of both swing and humor, creating such diverse neo-traditional sounds as klezmer cumbia, transcendent originals, and songbook standards with Yinglish accents.
— GO Magazine

The all-woman klezmer outfit Isle of Klezbos tests the elasticity of the genre by mixing the traditional Jewish wedding music with merengue, swing jazz, and other diverse musical elements.
— The New Yorker

Voice Choice Pick
Zoe Gemelli

The all-female, possibly even all-lesbian (oy vey!) Isle of Klezbos sextet fuses Eastern European-rooted Jewish folk music with jazz, trance, and Latin grooves. Born of the Metropolitan Klezmer movement, the brainchild of drummer Eve Sicular intends to have you boogying in the aisles like a band of bohemian gypsies.
— Village Voice

genre-busting klezmer
— Gay City News

Music Best Bets
Bob Makin

The award-winning klezmer group is to Eastern European Jewish music what Cherish The Ladies is to Celtic and Irish... Isle of Klezbos is an all-female music group whose talent is as strong as its name is provocative.
— Courier News

Isle of Klezbos puts a fab new spin on Jewish Klezmer music… a wonderfully queer mix of traditional klezmer music, retro swing, ethereal originals and lesbian love.
— Time Out NY

Zoe Gemelli
Eclectic all-female klezmer sextet interprets Yiddish music like Madonna does Kabbalah: with a gay flare, inherited devotion and more than a smidgen of irony. The brainchild of drummer Eve Sicular, the Klezbos infuse jazz, trance and Latin grooves into traditional klezmer sounds. With wickedly funny Marga Gomez.
— Village Voice

Since the band’s 1998 debut, Isle of Klezbos has brought its freshly-spiced klezmer, Yiddish swing and tango to festivals from Seattle to Vienna. Its Outmusic Award-winning recordings have topped world music charts at home and abroad. Recent Klezbos collaborations have included a Purim jam with Bitch of Bitch and Animal, Groundhog's Day medley with Marga Gomez, and holiday concert with Stonewall Chorale.
— GO NYC magazine

Dick Rosenberg
Harvard University show

Sterling musicianship… they know how to both get at the hear of Klezmer/Yiddish Theatre music and simultaneously wail… very entertaining

A. Young
Trifecta Shows, NYC

Not only the best-looking nonconformist Eastern European Jewish party music band on the planet but also one of the best.

Isle of Klezbos Play a City Winery Show Worth Waking Up For
by delarue, New York Music Daily
[Isle of Klezbos' KlezBiGay Pride show] was a deliriously fun, free outdoor performance in a 12th Street community garden right before the Fourth of July weekend…

How has Isle of Klezbos changed over the years? They’re doing psychedelic cumbias now, really fun ones, like an acoustic, horn-driven Chicha Libre. Fleming introduced one of those tunes as a brooding reggae song, more or less, then the band took it in more Colombian direction before taking a spin back toward Jamaica. The other was a gorgeously ominous number that built suspensefully to a long, joyous Kreisberg clarinet solo…
Fleming’s Middle Eastern-flavored Revery in Hijaz was especially tasty, the trumpeter finally pulling the band out of a haunting groove to an apprehensively triumphant crescendo.
New York Music Daily
, August 15, 2014

With one of our favorite band names ever, all-female klezmer band Isle of Klezbos is no novelty-concept act. The veteran New York group is one of the most acclaimed and esteemed klezmer units around today.
Chronogram, July 1, 2015

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CD reviews: “Greetings from the Isle of Klezbos”

George Robinson

The Isle With Mellow Style: The all-woman Isle of Klezbos. A traditionalist New Klez sextet spearheaded by Eve Sicular, Metropolitan Klezmer's drummer-leader, Isle is a mellower group than the Metros, a little more laid-back, but with an offbeat sense of humor and a relaxed sense of swing... Isle is a sort of super-group... The playing is sprightly, with a lot of astute ensemble interplay. Simply put, this is a band with no weak links. Trumpeter Pam Fleming is a particular find, with a rich Bobby Hackett-like tone on open horn, and Sicular drives the band crisply from behind her drum kit.
— Jewish Week

The absolute top in klezmer style… In Isle of Klezbos, consisting of six women, there are some members who also play in Metropolitan Klezmer. They don't take themselves overly seriously… A great find. The music is, just as with MK, of a very high standard of quality. Greetings from the Isle of Klezbos album cover Again with a lot of variety and very swinging. They cover the whole reach of klezmer: horas, doynas, Oriental influences, Balkan and wedding party music, even Latin American and Brazilian influences. Anyone who can come up with a title like klezmerengue and compose the music that matches it is working at a high level… Add to this the beautiful vocals of Deborah Karpel and everything comes together.
— RootsTown, Belgium

Seth Rogovoy
An approach that combines scholarly rigor with imaginative leaps… soulful and also virtuosic.
— Sing Out! magazine

Their mixture of updated tradition and up-to-the-minute compositions makes for a seamless collection of sparkling gems… one of the finest young klezmer bands ever to appear on the block.
— The Phat Planet World Music, U.K.

Catherine Madsen
Field Notes

Great ears and great hearts...Their sound turns heads: people who hear the CD playing in our bookstore keep asking, ‘What’s that music?’
Why is this band different from all other bands? It’s not just the name; their repertoire is distinctive too… arrangements are tight and elegant… eclectic musical influences… Pam Fleming on trumpet and flugelhorn works seamlessly with Debra Kreisberg on clarinet and alto sax for a scintillating foreground; Rachelle Garniez supplies a dark and moody accordion, and Deborah Karpel bursts in with upbeat vocals… How much of this group’s particular magic is because they’re women, and how much of it is because they’re these women?… One thing is sure: however it works, it makes very good music
— Der Pakn Treger magazine, National Yiddish Book Center

Kate Walter
Drummer Eve Sicular and her klezmer band Isle of Klezbos bring new heat to traditional Yiddish music… Who knew Yiddish could be so sexy?
— The Advocate

Ginger Mason
If your ears are eager for a musical holiday, I strongly urge you to procure a ticket to the the Isle of Klezbos… an upbeat getaway… a refreshing fluidity… These women are solid and sparkling instrumentalists… everyone contributes to the musical tone of ‘irreverent respect.’
— X-tra West, Vancouver BC

Voice Choices Pick
The powerhouse all-female klezmer sextet combines folk, swing, tango, trance and dance with traditional Yiddish music… Isle of Klezbos (one of the best band names in town!) are six oft-fetching klezmer ladies whose instruments include flugelhorn and accordion and whose recent Brooklyn-recorded album draws on meringues and Brazilian acoustica as well as 1916 Rumanian horras and Ukrainian songs ‘suitable for dancing with a bottle on one's head.’ …These women will make you shake your tushies!
— Village Voice

Klezbian Tendencies: The internationally-known, acclaimed and much-loved all-female klezmer sextet, Isle of Klezbos, approach Yiddish tradition with equal measures of irreverence and respect… Their show is a diverse array of vintage klezmer and original compositions, rollicking dance tunes, retro soundtrack classics, folk songs, Yiddish swing and cabaret tango… We’d make a joke, but they beat us to it.
— TIME OUT New York

The excellent, haunting all-female klezmer band Isle of Klezbos featuring the human crescendo, Pam Fleming on trumpet, a slinky frontwoman and the astonishingly inventive Eve Sicular on drums…
…mischievously virtuosic klezmer group
— Lucid Culture

Shaun Dale
Klezmer’s foremost all-women ensemble… Drummer Eve Sicular and her musical compatriots totally get the delight side of the equation… The name of the band alone will tell you that there's a sense of humor at work here, as will titles like Houdini Hora and Klezmerengue. There's also great musicianship (standouts include reedwoman Debra Kreisberg, accordionist Rachelle Garniez and vocalist Deborah Karpel — oh heck, Sicular’s a standout too, as are Pam Fleming on horns and Catherine Popper on bass. This is a standout band.), a well-paced blend of traditional and original compositions, and, well, there’s something here to bring that sense of delight to anyone with any interest in klezmer music.
If Eve Sicular keeps this up, she's gonna have to put me on the payroll, I guess, because the music she’s involved with is always so good that my reviews end up reading like press releases instead of criticism.
— Cosmik Debris

Seth Rogovoy
Terrific… snazzy… luscious, with just enough of an edge
— The Forward

Ari Davidow
Isle of Klezbos… like Eve Sicular’s other band, Metropolitan Klezmer… plays excellent, tight, exciting klezmer with several Yiddish theater standards mixed in… quieter than the band’s more boisterous sibling, but no less intricate or satisfying… Also some new klezmer tunes written by members of the band, including Debra Kreisberg’s stately Abrah and Sicular’s East Hapsburg Waltz which features the delightful accordion of Rachelle Garniez.
— KlezmerShack

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PHOTO CREDIT top to bottom Angela Jimenez,, album artwork by Lisa M. Kelsey and Matthew Fass